This morning, out of the blue, nestled in some jokes and discussion about the AT&T/T mobile merger, I saw a tweet announcing about Elizabeth Taylor’s death.
It really wasn’t long before the tributes rang out on Facebook, the most beautiful and moving came from my friend Lamont. One of the photos he selected was, well, stunning, which considering the subject is no shocker – a young Elizabeth Taylor.

It didn’t take me long to track down the photo and the photographer – Phillipe Halsman and the photo was taken in 1948 for Life Magazine. The pose is really what caught my eye, then the lighting – which, turns out is slightly different than that image (the photoshop job looked a LOT better at about a 5th of that size on Facebook).
Here’s my boil down of the wikipedia article about him. He lived a pretty remarkable life. He was born in 1906 and has a pretty wild past including a conviction for patricide though the circumstances of his father’s death seem relatively unclear. Once released from prison in Austria, right about as Hitler came to power, he moved to France and became the top portrait photographer in the country. Among those who wrote the government on his behalf while he was in prison was a family friend by the name of Albert Einstein of “Well, I’m no Einstein, but…” fame. Once Hitler himself moved into France, Halsman set off for the US (Einstein again swoops in here and helps him get his US Visa). Yada yada, Elizabeth Arden ads, Life magazine covers… you know, busy work… Then in the late 40s he collaborated with Dali. DALI! HE MADE THAT PHOTO OF DALI WITH THE WATER AND THE CATS AND THE CHAIR AND THE FLOATING! THIS IS THE GUY!

THAT ONE! JUST THERE!
Je ne suis pas fou, it’s just that’ I’m a bit of a Dali fan.
In 1958 he was named one of Popular Photography’s “World’s Ten Greatest Photographers” and in 1975 he received the Life Achievement in Photography Award from the American Society of Magazine Photographers (now the American Society of Media Photographers).
Wedding photographers, brides, grooms and their assorted maids and ushers can thank Philippe – he’s responsible for that “jump shot” that’s so popular. Only he called it “jumpology” saying “When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.”
He made the portrait of Einstein we’ve all seen on the stamp.

He did some amazing composites.. like… did you ever wonder what the baby would look like if Marilyn and Mao had hooked up?

Here’s a couple links to more photos and info about him:
National Portrait Gallery Halsman Retrospective
an article with photos
Smithsonian Magazine Article “When he said JUMP!”
A quick google image search
Halsman collection at Magnum Photos
And for sentimental reasons the collection of portraits of Elizabeth Taylor at Magnum Photos
AAAaaaaaaand then there’s books
Unknown who now?