2011 Concerts

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I made a promise that if I won tickets to see the Drive-By Truckers on new years eve I’d keep track of all the shows I went to in 2011.

 

28. & 29. Malcomb Holcombe/Holly Golightly & the Brokeoffs @ Iota 5/1/11 & Holly Golightly & The Brokeoffs @ Ottobar 5/3/11 – a tale of two clubs

Saturday, May 7th, 2011

So I’m a Holly Golightly super fan, yes, anything I write about the shows will be hugely biased. I have been listening to her since college. It’s one of my longest runs of listening to a musician’s work.

If you haven’t heard of Holly, I think her career really kicked off when Billy Childish assembled the all-girl version of his band “The Headcoats” and dubbed them “Thee Headcoatees”. Throughout the years she’s worked with Billy Childish, Rocket From the Crypt (“Eye on You”), the Greenhornes, Dan Melchior, and The White Stripes (#14) among others. After the Headcoatees she went solo, put together a band, and put out a good sized catalog, then changed her line up again, whittling the band down to just her and the bassist, Lawyer Dave. Dave’s singing, playing the lead guitar and drums these days, so I guess it’s a bit of Holly on guitar with a one man band filling out the sound? Though that down plays his role too much…

Holly’s sound has gone from 1960′s/garage rock revival to 1920s/30s blues revival and has settled comfortably somewhere between the two.. Brittish Blue Eyed (though I’m pretty sure she’s a brown-eyed girl) Blues Rock I guess? Sometimes she tours with another act, and sometimes she leaves it to the clubs to book the supporting acts. It was on one of her tours that I first heard of Tom Heinl one of the funniest musicians out there today. I’ve come to trust that the opener is going to be awesome, this trip, I learned there’s a caveat to that rule: if she does the WHOLE tour with the same act – it’s going to be awesome (she’d hate that I’m using that word – if you saw her at Iota, you’d know why… nyah!) if she leaves it to the venue to hire an opening act – it’s going to be hit or miss.

The two sets where just totally different, from top to bottom and pretty telling of the clubs.

At Iota, her opening act was Malcolm Holcombe (myspace), he played a solo acoustic set that blew me away. Deep dark voice, jangling bluesy country guitar. Between the way he rocked around in his chair and his bizarre banter I began to question what I was seeing, but within a song or so I realized, the rocking around was him really working his instruments, his voice, the guitar, even the thumping of the chair. The banter, well, let’s just chalk that up to a quirky sense of humor. I couldn’t just jump on an album off the bat because I loved the sound and style of the set and was worried an album would disappoint – be over produced, have too many instruments crowding him out, etc. So to the smart phone/emusic I go! Checked him out between sets, saved his albums to my “Save for later lists” and have downloaded a bunch of tracks in the last couple of days.

I’m really glad I got that separation and didn’t run right home and listen to the albums. They are a little more produced and less raw, but it certainly wasn’t anything heavy handed like I feared.

I wish the friends I saw her with in Baltimore had made it to this show too as they would’ve loved Malcolm. And I hope he plays in the DC area again soon – from his banter and the crowd reaction I get the feeling that it’s been YEARS. not years, but YEARS since the last time.

Holly Golightly & the Brokeoff’s played a quiet set. The Iota put out two or three rows of chairs in front of the stage, which just added to the intimate feel of the show. Holly and Lawyer Dave joked back and forth with eachother about drinking, the pace of the set, getting “kicked out” of Salt Lake City (a couple of their songs may not please the religious among us) and their relationship. The crowd was medium sized, someone in it would jump in on their banter every now and then, it was a great small show/party feel. The last time they played the Iota, the Washington Post did a write up about it and there was a huge crowd, therein we learn the power of the WAPO…

Fast forward two days to the Ottobar.

We got there for the second band, I think there were two opening acts, but driving up to Baltimore on a week night and catching the opener without leaving work early OR managing not to get lost (sheesh) is tricky. After about 3 chords, I could tell the Ottobar picked this opener based on Holly’s past with Thee Headcoatees or just the dart/list of bands on a wall system and not on her more recent music. It may not even have been a great match for the Headcoatees days. Yeah, so, it was 2 for Tuesday at the upstairs bar, that’s where we headed to get a drink, and weren’t informed that we couldn’t come back down with said drinks until it was too late – therefore, we missed that set completely.

We came downstairs just before Holly & Lawyer Dave took the stage and I told my friends, who I didn’t realize were there only on my word that this would be a great show – that I had a feeling I’d need to be close to the front. Next thing I knew, that’s where I was. Basically second row in another small/medium crowd.

This show was totally different, no chairs, just dancing room, the ottobar’s room is probably twice the size of the iota, and as they’re musicians, they play to the size of the room. Iota – intimate, quiet, near acoustic. Ottobar – loud, rocky blues. The energy in the crowd was much more alive, and our favorite banter chimer-inner came out too! haha I thought I recognized him, but when he shouted out to Holly from the crowd it was instant “OH YEAAAAh!” I heard him loudly tell the woman he was with, who was dancing up a STORM something along the lines of “This is SO MUCH BETTER than the Iota show!” but, being an Evergreen Grad, my humble little college where you learn to view things as “not so much better, just different”, I have to say – it’s not that it was better, it was just different. HAHAHA.

I’m glad I went to both shows – I did miss Alejandro Escovedo at the 9:30 on sunday, but I would’ve missed out on finding Malcolm Holcombe if I’d skipped the Iota show.

The boil down is this:
At the Iota the line up was a tighter match. It was a smaller more low-key show, more intimate feeling, and hey, the cafe has yummy food – it’s dinner theater, but… for concerts!

At the Ottobar it was a louder, more energetic show but the opener wasn’t a solid match for the headliner. Personally, I felt like the supporting act at that show was a mismatch, but then again, I only heard like, a chorus from their set, as I told a classmate in college “If you’d done the reading, you’d understand what it had to do with the class” *cough*NERD*cough*. Maybe if I could’ve seen more of their set, I’d understand why it was a good pairing for Holly’s current line up.

PS. The photos are all from Iota – my phone bricked out the night of the Ottobar show… booo.

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27. Justin Jones/Frank Turner @ Red Palace DC 4/29/11

Saturday, May 7th, 2011

I went straight from work and got there with some time to spare, but didn’t have much time to find dinner beforehand, so I decided I might catch Justin’s set then strike out on H St for some food, but this plan was highly discouraged by friends who said I’d regret missing Turner.

Justin played an acoustic set with Tracy Epperson on upright bass. The set was outstanding. Justin’s banter was dry and hilarious, I was reminded of Steven Wright, but with great music. He sang and played… just soulfully and put on one of the best sets I’ve seen him play.

Frank Turner was great fun. He brought out a sell out crowd full of loyal fans – I was the only person in the room who’d never heard of him and didn’t work for the bar. Everyone in the crowd knew every word and the energy was great. I pulled out my phone mid-set and made sure he was on emusic so I could check him out. I never do this – but last week – TWICE – Malcolmb Holcombe and Frank Turner. It was a good week for me to see new acts.

The Palace recently remodeled and made huge improvements on their room. It’s the best room for seeing live music on H street hands down. It used to be two bars – the Red & the Black and the Palace of Wonders. They basically opened up the wall between the two, but keeping the feel of each bar downstairs. Upstairs, there’s one large room with a smaller bar – unlike the other show spaces on H – instead of a long narrow room, it’s a wide shallow room – better size stage for bigger bands, and better sight lines for the audience. They put good money into the light and sound system, it may be the best small venue in the city for seeing live music. The remodel opened just as DC9 closed temporarily, around that time, Dangerously Delicious Pies held their annual Piefest weekend including an event in that space. I remember telling a friend, if the Palace knew what was up, they’d start picking up all the shows that were getting cancelled at DC9 so people would see the new set up ASAP to pick up as much exposure as possible as soon as possible. As a roadside attraction/carnival/oddities/freak show/etc fan I still mourn the loss of the Palace of Wonders though – the biggest impact of the remodel on their means the loss of the small stage that was open to the second floor – no more super high ceilings = no more fire breathing acts, but I believe they still do the burlesque shows on a fairly regular basis.

So there you have it, great room, great show.

Pop Wreckoning write up
something on “there goes the fear” about the show

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21. Throwdown Syndicate and Glenmont Popes @ DC9 3/26/11

Thursday, April 28th, 2011

DC9 has changed their layout a little – moved a staircase mostly – I think it comes out at the same place but faces into the room now instead of towards the back of the room. The biggest impact of this is felt downstairs – you don’t have to squeeze through the two rows of booths to get to the stairs in the back of the room anymore.

I popped the earplugs out a couple times in both sets and I have to say, the sound was pretty good. Small rooms are hard to mix for, you have to work a little harder to balance the band’s gear with the sound system. Throwdown is by nature drum and bass heavy – the rhythm really drives this band and that’s pretty much how they sounded. Did I mention this is a small room?

Ok, so I’m now writing about this show like a month or more after the show. I thought I did all the text and only needed to enter photos. OOPS.

Like this one:

I remember it was a great time… There was a decent sized crowd… Throwdown and The Glenmont Popes were both on their game – the Popes may have even played better than the last two times I saw them – Piefest weekend in B-more and DC – what a great time, keep your eye open for that event later this year.

I’ll definately be seeing the popes again this year, and will write more then.
This is really just “A diary of a girl who goes to too many shows” and not entirely meant to be reviews of the shows.

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20. Trash Talk and OFF! at the Ottobar 3/25/11

Saturday, April 9th, 2011

We got to the show late – I was stressed that night because work went long and basically everything seemed to be fritzing out – I was sure we were going to miss OFF! but by some miracle – we made it in time to see 2 of the openers – Trash Talk and Cerebral Ballzy

Cerebral Ballzy put on a helluva interesting show. Wow. Stage presence was off the hook. At times I wondered if the singer was drunk or high or WHAT – looked like he fell off the stage into the crowd at least once, but was propped back up and kept raging. Some agro mosh dude cleared out a pit and when no one would join him he just strutted around it in circles, it was a very primal and animal showing… dude was marking his territory and few people seemed to care either way.

But, his little territorial thrash worked out great for the band. Within a few songs the lead singer was sitting cross legged in the middle of the pit.

You can hear more than see anything here:

It was a set that’s pretty much why people love punk shows: loud, chaotic and savage. I’ll go so far as to say it was a night that was pretty much why people love punk shows.

My biggest critique was the photographers (I know. I hear what I am saying and know what I do for a living.) – the guys were over shooting w/ flashes. Over shooting at a show – your problem, you gotta wade through all that later. Over shooting with a flash – EVERYONE’S PROBLEM. SPRAY AND PRAY TIME! It was a bit relentless and at times made me wonder if the lead singer’s behavior was genuine expression, drugs and alcohol, or just mugging for the camera. That’s the effect too much shooting can have. Did they bring these guys along? I kinda wonder if the two main shooters were pissing each other off and maybe getting a little territorial, or if they were working together and wanted to see what it would look like if they got nearly simultaneous shots from within 3 feet of the poor guy, from each side… whew. It was a touch out of control.

When he was on the ground, one of them was using the hell out of their modeling light. No doubt it was a bitch to focus on the guy, there wasn’t any light on him. I kept trying to think of the flashes as lightning to add to the effect “oooh crazy dude on the floor raging! lightning! drama! mysterious! loud! This is intense!!” And it helped, but that damn modeling light kept killing it.

For the number of flashes going off, I’m surprised I don’t see more photos online…

csuspect’s flickr stream… Wish this guy would sort his stuff into albums by show…

Trash Talk played next, my friends and I got separated and confused about who was where and what was happening, and a friend of a friend who I’d never met was trying to have a really strange conversation with me I think he told me his name was Skip Retarded, then changed it to Jump Retarded. I have no idea what that was all about… so I didn’t hear too much of this one.

This is tight, aggro hardcore punk. The kind punk for people who listen to death metal too and cringe when Blink 182 get sited as being punk or even music really. Like Dethklok? Puck recommends Trash Talk! I’m listening to their myspace page (the only thing that place is good for these days…) and I’m loving the doom metal-esc break down on East of Eden/Son of a Bitch.

OFF! capped off the night… yes I went there.. The band seemed a little annoyed that they were on stage and Keith was nowhere to be found. He eventually came out, taped set lists up everywhere on stage and thankfully got the party started.

They were tight as hell and the audience was off the hook. I found a little spot down front where I could easily scoot out of the way if the pit got out of control. And, for someone my size and build and strength, compared to this crowd, size, build, and strength, yeah, I scooted out of the way in like the first 5 seconds. haha. The crowd was loving it! Keith’s banter between songs was running a bit long and glances were shot around between friends. During one of Keith’s banter breaks a friend commented to me something like “damn, he talks for 5 minutes so they can play for 2″… I have to agree, part of me says ‘well, Keith probably needs a breather, and he probably doesn’t give a damn, his band sounds awesome, the crowd is stoked, he does what he wants” but yeah, some of the best punk shows are pretty much non-stop.

Some of those banter breaks were a little long and unnecessary – BUT my hands down FAVORITE was when the crowd was all stoked and cheering their heads off and Keith said something like “Oh, you want to party? Well, let me tell you about this guy who got shot in the chest he’s fighting for his life, too many kids are dying to young.” (insert fog horn) Debbie Downer is in the house… ruling shit on stage and doesn’t care what the crowd is feeling, this is his trip and we are lucky to be on it. PMA and good thoughts to the dude he is talking about, I believe someone associated with one of the other bands(?) he was making a good point I’m sure. I guess the next song had something to do with it…

I also remember him shouting something at the crowd about how the set wasn’t nearly over yet and they where here for the long haul… just hope you’re really ready ottobar!! “The long haul” turned out to be something like 3 more songs. HAHAHAHAHA. Brilliant.

I’ll definitely keep my eye out for OFF! in the future and am anxiously awaiting the day next week when my emusic account refreshes… $5.99 for the whole dang album?! Take that iTunes.

All in all I had a great time and found myself kinda wishing I’d been at the Red Palace show too – really curious how it went down. The Red Palace is a great space and flash shouldn’t have been necessary there…

There will be more on the Ottobar at a later time – I got a season ticket to the joint for Christmas! WOOT!

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19. Godspeed You! Black Emeror 3/20/11 @ 930

Friday, April 1st, 2011

I arrived a touch into their 2+hour set, and for the first time in a long time – regretted the timing just a teensy bit – the club was PACKED. It was impossible to get around. I was all excited that there might be a “somewhat less super” supermoon to shoot AND the club’s camera policy was “no flash” which means I could bring my D300! This was really shaping up! Birds! Stone! Yay!

Nope. Cloud cover obscured my not-as-super-moon and I had forgotten the GY!BE likes to have the room really dark. So, not a lot of shots from last night but hey.

I got to push my D300 to ISO3200… so there’s that…

And I pretty much sold myself on upgrading my body this year. Nikon, you can thank GY!BE for another sale…

The band delivered, they played beautifully and it sounded fantastic. If you have no idea who they are or what they sound like, I stuck two links to youtube at the bottom of this post.

If you have no time for links, here’s a little boil down: imagine strings, violin, cello, basses, guitars, played through looping pedals or samplers and layered, and layered, and layered with a drummer or two. The songs tend to start very small and quiet and sometimes build to these incredible intense crescendos. It’s instrumental music but I wouldn’t call it quiet or tame music.

They tend to play in very darkened rooms with multiple projectors running b-roll overhead. Flames, city fires, rivers, trains, trash dumps, polluted rivers, stock tickers, medieval looking drawings of people, diagrams of constellations, fancy letter book pages, melting projector film… just a stream of images overhead, sometimes 2 images side by side, sometimes one image, sometimes 4 layered over each other – I think I saw four projectors, maybe there were five.

For a lot of the set I couldn’t see the projections, and I had this (and I’ll put out there that I was totally sober) realization that the images are really just suggestions and I (swear to god I’m not a hippy) just closed my eyes and listened. It was that or stare at the back of someone’s shirt… which would you choose?

Finally I checked my coat, went up onto the upper balconies to get an overhead view of the crowd and the band and saw my opening, gaps in the crowd on the floor, and went downstairs and fairly quickly (considering the size of the crowd) made it to the front rows.

My photos are a little obscured, this was a “tall crowd” and I am not at all in the “tall crowd”. It’s also a very mellow crowd, I tried to time my shots for when the people in front of me had their heads down. It also was a shockingly young crowd. If I hadn’t seen them in about 6 or 7 years, a lot of the people around me didn’t look old enough to have seen them back then.

Minus points go out to the dumb crowd members who ignored all the signs and verbal reminders and used flash – not only do you spoil the mood for the band and the audience, but, your flash just washes out the projections in your photos. So, yeah, have fun with that.

I came home with a headache likely caused by 3 days of watching video training and writing this dang blog, and realized the cure was more GY!BE in the dark as I drifted off to sleep.

Wow, what a great show.

Some music links for those who’ve never heard them…
dead flag blues
Rocket Falls on Rocket Falls

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18. Pogues 3/9/11 @ 930 Club

Friday, April 1st, 2011

Lesse, I did a little living on the edge that first full week of March. I literally agreed to shoot an event on the 9th from a ski lift sometime in January thinking “I know this date sounds familiar for a reason… hrrrrrmmmmm…..”. A few weeks later, laid up with a pulled back muscle, MISSING THE GIRLTALK SHOW, when I booked my flights to Seattle I thought ‘oooh, gotta be careful to make sure I see the pogues!”

Basically, I very cleverly set myself up for possible failure. 2 concerts, a full time day job, and a flight to the Pacific North West all in a 36 hour span? Gracious me!

A couple days before the show, I dropped off some of my luggage with my parents (who were set to drive me to the airport) and they were watching the WETA Irish-a-thon hosted by Patty Duke. I looked up at dad, who was loving every moment of the show and thought “this man needs to see the Pogues”.

And oh how he loved the show, and oh how my friends loved that he was there.

The mixer is almost as protected as it is for GWAR.

At one point I looked up and we’d gotten separated and there he was, talking to a couple about his age, after a while, I wondered who ditched who, so I went up and he introduced me to the Kennedys. They had compared notes on where in Ireland their families were from and were already good friends.

One of my friends asked dad if he’d met his wife. Dad replied “Oh, you mean the girl I’ve been hitting on all night?” hahahaha.

Dad walked around thanking friends who work for the club for “looking out for his girl” – he even thanked a couple friends who have nothing to do with the club. The man is that sweet and that grateful to the club for supporting me through some tough times. As am I.

Did I say yet that Dad loved the show? Cos he did. The Pogues did what they set out to do – speak to the Irish who’d left but still loved the grandmotherland (in dad’s case).

At the end of the night, dad and I went downstairs for a bit with a good friend who was in town from New Mexico (she gave me spicy goodies! yay!). As we were saying goodbye to friends and leaving the club, Shane happened along. Headed for the door I was standing in, so I put out a hand, and thanked him for a fun night and he said “mrphl mrph mrphmrbble urble” or something along those lines. Then I introduced him to my dad, and I think he said something pretty similar to him as he shook his hand. I asked dad what he said, but he has no clue. Dad’s hearing is pretty bad, and Shane’s annunciation is pretty bad… I wonder how they would do in a pub… dad would probably do all the talking.

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17. Pogues 3/8/11 @ 930 Club

Friday, April 1st, 2011

I had a great time at both shows, but I go to Pogues shows with relatively low expectations. Pogues shows are just to have a good time, a couple beers, sing a couple songs. I had heard that Shane barely made it through “A Pair of Brown Eyes” in Baltimore on the 7th and having been to oh I don’t know… 5-7 other Pogues shows, I knew what I was getting into. This was among his strongest performances in recent years.

They changed the set up… which I guess is good and bad. Some bands I can see do the same set over and over, no problem, some bands need to shake it up. The Pogues don’t really need to shake it up too much. It was a nice change but I missed Fairytale of New York. I’ll sing Kirsty’s part! Pick me! Pick me!

The annual sing along was fun, he did better than Baltimore and kept it together through the set. He’s never very intelligible when he speaks between songs, so that’s no surprise, you know what song he’s singing by the syllables he gets out just before it starts.

Seriously, if you go to see the Pogues and expect Shane to be in the form he was in back in the 90s… well, you’ll be sorely disappointed, but at least he’s on his own two feet. Granted every now and then he’d use those two feet to shuffle off the stage and let Spider sing a song or two, then come back out with what looked like “a little more stagger in his swagger”.

There’s a lot of mixed opinions about his state and him in general. I’ll keep my views to myself, I just go for the songs.

DCist
BYT
Josh Sisk
Shane’s list of blog entries about the shows

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22. Oklahoma Twisters @ Hill Country BBQ & Market 3/29/11

Wednesday, March 30th, 2011

Some quick words on the spot –
“Cafeteria Style Dining” upstairs (their words, not mine) – go through the line, pick out your food, the people behind the counters mark up your “dance card” (as I was calling it) and when you leave at the end of the night the cashier tallies up your purchases from said dance card and rings you up – if you order drinks at the bar, you can pay cash for those or if you charge, they’ll link your tab to the dance card and you can pay the whole tab at the end of the night.

Honky Tonk downstairs – you can take your food with you where ever you go, and downstairs you’ll find a full bar (long horns across the taps! wee!) a bunch of tables and a small stage. The sound was good, it was loud enough to make it clear you were at a show, but not so loud that you couldn’t chat some with your friends, and certainly not loud enough to make the ears ring…

The Oklahoma Twisters played 3 sets – I got to see about 2.5 of the sets… by my rough calculation… lots of great standards on the set list… the ones that stick out for me are “A six pack to go” Bob Wills standards were featured and several Patsy songs including “Faded Love” and “San Antonio Rose”.

There was limited room for dancing down front and a long the sides of the room, but those with the urge got it on just fine.

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15. Katuscha 2/20/11 @ Galaxy Hut

Thursday, March 24th, 2011

So Sunday, after two nights of DBT at the 930 there were lofty plans of a quiet night. A quick dinner and beer or two at the Galaxy Hut seemed like just the ticket. I, being a girl, hit all the chocolate stouts on tap. I recommend them all. hahaha.

In walks my friends Tina and Hutto and they start setting up with their band Katuscha right there in front of our table!

This was a hitherto rare treat – that I had no idea about apparently – because the third member of their band flew in all special like for it. The band promised not to wait so long to do it again.

We couldn’t stay long, there were other plans for the night, but we caught like 4 songs and I have to say – this may be my favorite of the bands Tina has played in. So let’s hope they keep that promise.

A few quick words on “the hut” – for those looking for shows and places to go to them in the dc area – this space is small, but they’ve been hosting shows for geez, nearing like 2 decades? It’s a great space to see indie bands and local bands who are making their way up the later to bigger spaces like the black cat. Whenever I see a show there – unless it’s quieter music by nature (ie – a soloist) it’s going to get LOUD and it’s going to be packed. This is a sentimental favorite location for shows, and not just for me, but a lot of the local indie kids – we came up going to shows here and some came up PLAYING shows here. The stage is by the front door, which can lead to embarrassing moments like trying to sneak out of a show between songs and having your friend call out “GOOD BYE PUCK! HAVE A GREAT TRIP TOMORROW!” for everyone to hear (the musician was gracious and we had a laugh – I had an early flight). On good weather nights you can head out to their patio (they have space heaters – so don’t be shy on cool nights!) – which is now a bit of a smokers lounge. It’s a nice little local bar where from time to time you get ambushed by a little treat – a $5-15 dollar show featuring your friend’s band or a random local band or a band that’s coming through on tour. They post their schedule as well as what’s on tap on their facebook page.

Here’s a video that got took by Stephen Guidry at the show…

Katuscha from Kansas House Project on Vimeo.

And they got some songs uploaded on their myspace.

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16. Wanda Jackson 2/25/11 @ 930 Club

Saturday, March 19th, 2011

I fell in love with Wanda Jackson’s music a couple years ago – I came across a tribute CD to her and loved the performances – especially Niko Case’s version of “Brown Eyed Handsome Man”.

If you don’t know Wanda Jackson you don’t know what you’re missing. I can’t even fully tell you what you’re missing other than, she is a national treasure. Think – rockabilly from the 50′s and 60′s lead by a woman with the perfect voice for the job. Look her up, learn more.

Wanda’s in her 70′s now, I believe I heard she was 74 and she said she was recovering from having been sick. But you would not know it, she had the late show that night – so doors were probably 10? she had an opening act, so I’d be surprised if she was on before midnight.

She broke up her set with stories about the songs and her career, I heard someone say that she was talking a lot – yeah, well, you date Elvis, become the Queen of Rockabilly and continue to tour into your 70s and you can tell me as many stories as you like!

One of my favorite quotes from the night was when she was talking about having just toured Europe. She said “I love Europe… but I love America better”. That got a huge holler from the audience.

Of course she played the classics, and a couple songs from the new album with Jack White. The crowd ate it up, it was a good size crowd – though I was surprised it didn’t sell out. But, I like the shows that don’t sell out – there’s still room to dance and move around with out that oh, sardine feeling. People toward the back of the room were cutting some serious rugs.

I have links to reviews and blog entries below that will tell the story of the night.

So glad I got to see this icon in action. So NOT glad Sky broke his arm.

WaPo Blog
WaPo Review
BYT Post
Kyle Gufstason Photos

Wanda’s been listed for Bonnaroo 2011.
June 9-12, 2011
If you’re there – seek her out – she’s a national treasure.

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